M. Doebel
Sometimes
I wonder what my hands would be like had I not grown up so close to water. The
discrepancies between air and water temperature are shocking, what is 50
degrees terrestrially would threaten my skin with blooming ridges, trembling
and trying to cave in, slip beneath each other in the water.
Sometimes, I forget that some things have an eternity, envy and
anger tugging at my arms as I stop feeling sorry for the currents that are
hindered by a dam in the Rappahannock when I remember that the water will be
back here in a thousand years after ghosting through a few tear ducts and over
the skin of a rusting bridge. And this all makes my heart an anarchist,
insisting in an infinite web of should-feels and nipping new identities in the
bud just because I don’t have time for them to develop. It makes me feel a
little better to believe in reincarnation for a moment and imagine my eventual
body, maybe so lucky as to be as insignificant and pretty as a water-skater
crushed beneath the bodies of lovers in a river bed, but then I remember that I
wouldn’t remember the feeling of denim sliding off my legs or the need for
brambles breaking in my confidence as a miserably self-aware winter ends.
I’d
like to know something so simple and secret as how differently the piles of
rocks in the creek tumbled 500 years ago because I looked at them as December
wriggled against the filmy balm of August and noticed that they were all in
different stages of assimilation. They all adopt the stream eventually, taking
on its little mistakes as tattoos in their slate, one slip in the landscape
making something more permanent than the ravine could have imagined in its
childhood.
If
we got there early enough in the morning, there was a ferry that would rescue
me from the South and take our car across the state line to a different
territory and I was always the only one who thought the autumn trees looked
less dead on those new roads than they did on the ones we had to call our own.
I imagined there was a bold yellow line striping the bottom of the river as we
crossed over, marking black from white and I even searched for differences in
plant species overwhelming each side, making up legends for the making of each
one: the loose ropes constricting the trees in a drowsy, half-reverie were overlapping
halos disguised cleverly and simply by nothing but a color. The gravel on the
ground looked raw at the dock and the hot apple cider tasted like cotton after
I scorched the ravaged pink on the inside of my mouth, already brinking on
blood from a habit that had me tearing at all the loose skin with my teeth,
trying to make the home of my words more smooth. (They needed all the help they
could get.)
It was all yelloworangered and
chipping paint
and
one incidence of the sky not affecting mood and
words I didn’t
yet know but
that were part of my own language, I didn’t know, in
someplace foreign,
so
close.
You
can’t fall in love with too many things at once, or people will stop listening
to you. I didn’t see the truth in notions such as those the first and last time
my father took my sister and I fishing. The parts of my eyes that were always
obscured by eyelids still burned quietly with the fiery fingertips of the
temptress of sleep, dripping back beneath the skin beneath my eyes, making it
sag downward in a paradoxical resistance. Gravel crunched beneath tire in the
parking lot, the sound that had come to mean “this is a second home” and the
“BAIT 10¢” sign hung from rigid chicken wire and the little structure
where a man with an impressive white beard and a face softened by the intake of
stories was colored less by white paint than it was by morning dew. The canoes
all slumbered in a row, in a place that left them unaffected by the moon and
made them warm with the sun. And my fault is in the pauses, and so it was that
day, I would have perched on top of the furthermost boat and watched the rest
of them disappear with the sweet scent of sunscreen and searching glances, if I
could have. But my father’s hand balanced the pull of the river and the tug of
my instincts and we rowed unsteadily around a bend and into a hollow in the
heart of the forest, a peninsula of water where the gold light was best for
spotting clouds of gnats and seeing our wake by way of rearranged soil taught
to rise to the surface and love the water better.
These
little streams and stretching lakes and Mason-Dixon rivers did to me what they
did to the rocks, my hands have subtle valleys where ripples ran up to nuzzle
my palms over and over and over, I think the ravines in their infancy would
have liked the idea of my identity being in water’s permanency.
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